We can’t promote this beautiful tiny West African country enough – after all the turmoil The Gambia has experienced. In particular, recently. Following, is from our extensive archive of travels and adventures, in and around the country:
‘We did it! We completed the River Gambia Expedition – 23rd November 2012 – 21st January 2013 – after almost 400km overland in the Fouta Djallon Highlands of Guinea-Conakry into Senegal and then putting our two canoes into the water in Kedougou – we paddled (no engine!) over 700km of the River Gambia to its end, at the Atlantic Ocean in Banjul, The Gambia.
During our travels, we bounced and rattled down the mountains of the Fouta Djallon on the back of motorcycle taxis; hung out with gold miners in Senegal; drank attayah tea with village chiefs and elders; dodged very angry hippos on the River Gambia; and, as we paddled on the increasingly widening ocean-like river, we battled the wind and waves, as we neared the Atlantic Ocean and the end of our journey…’ see more on the River Gambia Expedition blog
You may also be interested in ‘A Short Walk in the African Bush – 930km African odyssey‘. We walked around The Gambia, completely by foot – ‘bi tamala singo lah‘
Follow us on Instagram @floriotravels for daily photo updates
What goes around: On our most recent trip down to The Gambia, West Africa, we were excited to be able to donate Jason Florio’s award-winning portraits of Gambian village chiefs and elders, ‘Silafando: a gift to you on behalf of my journey‘ to the National Centre for Arts & Culture, in The Gambia.
In April last year, we exhibited the portraits in The Gambia (with huge thanks to the organizers of the Athens Photo Festival, where Florio was invited to exhibit this series, in 2013, for shipping the prints all the way from Greece to West Africa!), which were taken during our 930km walk around one of Africa’s smallest mainland countries, in 2009.
In the coming months, once we hear back from Hassoum, Baba Ceesay, and all at the NCAC, we’ll be posting more news as to where the portraits will eventually be housed and exhibited, in their permenant collection, in The Gambia next.
Update: April 26th, 2017: Amigoe needs a little help, to enable him to exhibit his work in Belgium
The above short video portrait of Amigoe was shot in The Gambia. He has travelled for over fifteen years around West Africa in his wheelchair, which is by no means an easy feat – as Florio and I witnessed for ourselves, whilst following him around, filming, in Gambia – especially when he only has the use of one arm, having been paralyzed in his legs and left arm since he was a young boy. Amigoe’s determined travels saw him stopping along the way to create extensive bodies of work (he told us that in one place he lived outside, in a park for months on end, painting beneath the shade of a big tree) which he exhibits and sells wherever possible to be able to continue his odyssey.
We first met Amigoe at the opening night of our Photos Tell Stories – ‘The Gambia by Gambians‘ – photography exhibition, at the Alliance Française in Banjul. He asked us if we would shoot the short bio, to enable him to approach potential clients and galleries for exhibitions.
Last year, true to his independent and ever-inquisitive nature of the past fifteen years, Amigoe decided to make the arduous overland journey to Bamako, Mali, to see if he could expand his artistic career. He is now back in his homeland of Togo, where he returned to for the first time in many, many years to apply for a new passport – ever hopeful to fulfill his dream of being invited to Europe or the US to exhibit his work.
As always, we wish Amigoe – the artist painter – all success in his continuing odyssey.
I just had a conversation with one of my sisters, who told me that my young nephew is about to study photography at school, and that his first powerpoint was going to be about my co-instigator in all things photography (from our expeditions – photography workshops), Jason Florio. Looking back, for links on here that might be of interest to my nephew, took me to the ‘Photos Tell Stories: teaching photography – a visual language‘ (P.T.S.s) workshop posts; all about when we held a number of photography workshops, around The Gambia, West Africa (thanks to a grant from the US Embassy, Banjul), with young Gambian students.
We are still so immensely honored to have had the opportunity to hold the workshops, and particularly proud of the level of work our young students produced – despite 99% of them having never even used a camera.
I just wanted to re-share this – especially for my nephew, Harry. Maybe one day, he’ll be the one teaching photography workshops somewhere in West Africa.
2014: ‘Photos Tell Stories‘ photography workshop #1: The Kombos region, The Republic of The Gambia, West Africa – students were chosen from various senior secondary schools in the region
The students spent most the first day in the classroom with Jason Florio, P.T.S.’s photographer and tutor, where he covered the following topics: a brief history of photography; what is a photograph; portraiture; environmental portraiture; reportage; landscape photography (including showing the students images from all of our contributing photographers); guides and techniques; what makes a good photograph; rules of photography (rule of thirds, leading lines, etc.); lighting; editing. Lastly, how the students could share their world through photography.
We then went on to familiarize the students with the digital cameras (thank you to FujiFilm USA for their support):
The students practice how to capture movement:
Following is a selection of work from the students – on the second day of the workshop – taken during their portraiture class:
To check out our ‘behind-the-scenes‘ album, please visit the ‘Photos Tell Stories’ FB page – where you can see the students and Jason Florio at work, during all the photography workshops.
Next up, we’ll be sharing the students images from ‘HOME’. After showing the students work from all our contributing photographers – Manjari Sharma; Amber Terranova; Amy Toensing; Sari Goodfriend; Ryan Heffernan; Ben Lowy; Stefan Falke; Oskar Landi; Thomas Donley; Brandon Remler; Wayne Lawrence; Chris Bartlett; Robert Goldstein; Henry Jacobson; Heloise Bergman – their assignment was to go and photograph their interpretation of ‘HOME’ . The following day, they returned to the workshop with some very interesting and inspired images. More on that very soon…
Other posts you might be interested in: ‘Teaching the art of portrait photography‘
Thank you for stopping by
The Florios (Helen & Jason)
Over the last month, Florio has been working onboard the Phoenix – for MOAS (Migrant Offshore Rescue Station) boat – documenting the rescue of 1000’s of migrants, off the coast of Libya; migrants coming, predominantly, from West Africa, East Africa, and Syria.
Seeing the images of all those people – all of whom are so desperate as to risk their lives, and often those of their children too, as whole families are on wooden fishing boats that are, nowhere near, made to take 400-500 people – reminded me of when we were on our ‘River Gambia Expedition‘, over-grounding and then paddling, we followed the course of one of Africa’s last remaining, free-flowing, rivers; from its source in the Fouta Djallon Highlands of Guinea, through Senegal, and on to the mouth of the mighty river, in The Gambia, West Africa.
We came across many, many migrants, from all over West Africa – both economic, and those fleeing from regimes which threatened their very existence. In the artisanal goldmines of South East Senegal, we met families, who had migrated either together, or the men settled first and then sent for their wives and children later
Like the boat migrants, they too were risking their lives, every single day, working in unregulated and extremely dangerous conditions, climbing down man-made holes – dug out with pick axes – 15+ metres deep, in some cases; ones which often implode, causing fatalities and maiming. All this, in the hope that they will be one of the very lucky ones, who will find a nugget of gold, to make their fortune, and to feed their family.
‘Whole families live in and around the mines. All the mines we visited were understandably dusty, but this one in particular had an extremely fine, pink-hued, dust which got absolutely everywhere. Even our tents, situated by the river – over 2 miles away from the mine itself – were covered in a fine film of the pale pink, talc-like, dust. But, at least we could pack up our tents and leave the next day. Many of those people, whose lives revolve around the gold mines, are inhaling toxic fumes from the mercury – used to separate the gold from the rock dust. The mercury that isn’t inhaled, settles into the environment – i.e. the pink dust that coats everything and everybody, at this mine… ‘ Helen Jones-Florio – See more at: River Gambia Expedition
Most of the miners we spoke to had, after many months, and even 1-2 years, of treacherous, backbreaking work, had found not one solitary grain of gold. And, so, they have little choice but to pack up and migrate to the next place, wherever that may be. Some of those we met, I feel sure, will have gone the ‘back route’ – overland, to Libya, to try to get onto a boat to Europe, in pursuit of a ‘better life’. Despite the dangers, involved in this tremendously risky journey, where many lives are lost on route or at sea, it is still preferable to returning to a country that either cannot or simply will not support them.
If you would like to read more about our journey, along the River Gambia, please check out River Gambia Expedition and floriophoto.com for more images, by Jason Florio, of the people we met along the way.
Taken whilst on the ‘River Gambia Expedition – 1044km source-sea African odyssey‘, 2012-13, from the source of the river in the Fouta Djallon Highlands of Guinea-Conakry, to the mouth of the river, at the Atlantic Ocean, The Gambia – co-lead by Jason Florio and Helen Jones-Florio
Hand painted sign, advertising a for-hire photographer, on the streets of Serrekunda, The Gambia, West Africa
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Walking along the beach, near Brufut, on Sunday, Jason and I happened across a Mandinka initiation ‘Coming of Age‘ ceremony – a traditional rite of passage. Three young boys had been brought to the beach, to be ceremonially washed by older boys, former initiates, as part of the final stages of their circumcision process.
The Kankurang – whose identity is always a closely guarded secret – is an integral part of the ceremony. Surrounded by the former initiates, he struts around the young boys, menacingly wielding two machetes, clashing them against each other, gesticulating, and often emitting a high pitched cry. All is part of teaching the young boys the rules of behaviour, the importance of tradition, cultural identity, and a sense of community, as they enter into manhood.
Despite the bombardment of urbanisation, these age-old traditional masquerade ceremonies remain widely practiced throughout Gambia – not just in rural areas but also in urban areas, particularly by young men. Therefore, it’s not uncommon for us to walk out of our compound gate, on the outskirts of urban Bakau, to see (and hear!) a group of young boys, clapping and singing, beating sticks on a cardboard boxes, as they follow in the wake of a kankurang – whilst keeping a respectful distance. Who knows when the mysterious, shrouded, one will turn around and run at them, clashing his machetes.