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Part of the power of these portraits lies in context, in learning who the migrants are, and how, amid such wretched circumstances, a democratic mix of citizens emerges—a melting pot of nationalities and ethnicities, of classes and educations. “It was surreal to see these women in their delicate scarves and fancy handbags,” Florio recalls. “With babes in arms—that type of thing. You had shoeless guys from West Africa and then Syrians who looked like they’d gone shopping for the day. Come as they are.” Jason Florio – read the full feature online: VQR, Winter Edition 2016
A good friend of mine posted a comment on her FB page yesterday, in response to some of the disturbing comments, about the migrant and refugee crisis, left on another FB page: ‘I’m not mean but let them in will be the end of gsy it’s hard for locals to live now all most of them will do is go on the dole and get free houses let there govoment sort it out in stead of putting all the money they get in there pockets so they have a good life and there people go with OUT’ JB of the Channel Islands. My friend asked if I would comment, as my husband, photojournalist, Jason Florio, has recently been documenting the boat rescues for MOAS, onboard the Phoenix, in the Mediterranean Sea, off the coast of Libya.
I saw your FB post earlier, S., and, yes, it makes me extremely sad, and aghast, that people can be so myopic and so grossly uninformed – to put it politely. And, I did think twice about posting this link from Migrant Report : ‘The Pictures That Need to Be Seen‘ (caution – the images are truly shocking and devastating). But, in light of some of the comments I read on the above mentioned FB page, I believe the images should be seen, if only to wake, shake, up some of the commentators.
As you know, S., Florio has been documenting, for MOAS (Migrant Offshore Aid Station), onboard the Phoenix, their boat rescue missions in the Mediterranean; thankfully, he didn’t witness this particular horrific incident, but some of his colleagues have – and it’s not the first time they have either. Before Florio began working with MOAS, I was horrified by the news reports… how the hell could parents be so irresponsible as to take their babies and small children – and, in some cases, send their 14 year son, completely alone – on such a dangerous and life-threatening journey?! It was completely beyond my comprehension. However, I have since watched numerous interviews Florio has recorded, post-rescue, onboard the Phoenix – with many migrants and refugees – and the consensus is that the majority (particularly those from Syria, for example) would have done anything not to leave their homes, their professions – many are lawyers, doctors, nurses – behind and/or risk the lives of their whole family, to venture into the complete unknown. But, when your life is in constant danger; you live under a brutal dictatorship; you are forced to join the National Service at any early age, for an indeterminate amount of time, paid very poorly – and not allowed to leave until you are too old to follow your life ambition to be i.e. a doctor (Google: Eritrea); your basic human rights are ignored (Google: Ethiopia); the list goes on – there is often little choice, other than to move on, to find a better life.
Is that so difficult to comprehend? Maybe so, for those of us lucky enough to have the freedom to sit comfortably each day, eating our three square meals, as we watch the 6 o’clock (mostly edited just so, so as not to offend – too much) news, from the safety of our homes, through the impenetrable barrier of a screen; without the perpetual worry of a bomb dropping on your home, or your children being fatally wounded by shrapnel, whilst out playing in the street… . Imagine that. And, yes, we can argue the fact that the countries where thousands, upon thousands are fleeing from (the numbers are staggering) need to address what is going on, the people smugglers need to be stopped, and so on… but all of this will take time, a long time, to even begin to put right. In the meantime, these thousands of people men – women, children, babies – are on a survival mission, and they need sanctuary now, after having left behind everything that is familiar to them; often taking little more than a memento of their home with them (such as a letter from loved one, a tattered copy of the Koran, protected by a plastic bag, a postage stamp, a local coin – all real things, that people have shown Florio, during interviews). And, don’t even get me started on what they have to go through, even before they pay thousands of dollars to get on one of those nowhere-near-seaworthy-enough-to-make-it-to-Italy-boats!, out of lawless Libya… this subject is well documented. Just check out more of the links on Migrant Report, and, in time, through some of the interviews Florio has conducted (just think rape – on both men and women – torture, kidnapping, imprisonment, starvation, forced unpaid labour), for a forthcoming documentary from MOAS.
The images of dead children are shocking beyond belief and have been condemned by many as ‘sensationalism’, ‘headline-grabbing‘, ‘emotive‘… . Yet, the reality is, is that this is happening on an almost daily basis, out there in the Mediterranean, and many of the people fleeing towards a ‘better life‘ are already aware of the immense dangers they face, and possible death. Again, how can we (us, the ones who watch the teatime news, as another tragedy at sea unfolds, from our comfortable armchairs) possibly comprehend what propels people to take their whole family, walk out their front door, with just the clothes that they are wearing, and – in many cases – walk across deserts, other countries, to take such unimaginable risks?
So, perhaps now it is time to take the kid gloves off and face the harsh reality, see those images close up… . After all, it’s nowhere near (nowhere near!) the utter wretchedness that many, many people are enduring every single day, in an attempt to find that better life.
Welcome to Europe!
Links – to become more informed:
MOAS_EU – also, this is where you can donate to help keep the ‘Phoenix’ rescue boat in the Med., for as long as it’s needed.
When we first arrived on the island, three years ago, from living and working in West Africa, the contrast was stark. All I could see was what appeared to be concrete and glass multi-story structures (Sliema was our first home and for those who know the town, they will almost surely understand my first (mis)impressions). I seriously wondered what would inspire me to get my camera out – in West Africa, it was hardly ever not pointed at something or other. Yet, thankfully, within those first few days, I discovered ‘the doors‘.
Florio was off on the assignment that brought us to the island, on an NGO vessel in the Mediterranean, documenting migrant and refugee rescues. So, I had some time to find my bearings and walking is just about the best way I can think of, to get to know any place I’ve ever lived in or travelled to.
Leaving the vast concrete and glass apartment complex, where we were staying at the time, I turned down one narrow side-street – off the main drag of Sliema – after another and the true architectural beauty of Malta began to reveal itself. And so it was, during those first days on the island, my unintentional ‘Disappearing Malta‘ series began and I’ve been photographing doors and facades on the island ever since. Hence, my camera doesn’t have to collect dust between our assignments after all, as I’m still finding more to photograph each and every time I take a walk.
‘I often wonder if anyone still lives in this building or is it just the cats…’
I’ve always been captivated by imperfections, the wabi-sabi, of things – drawn to the echoes of places that once were. Spaces and places that no longer exist; or at least not in their original form. And, I’m particularly drawn to architecture. I now have a growing obsession to capture the decaying beauty of the abandoned Maltese houses of character, before they disappear completely.
”Paces Press’ – Yet another early days discovery and one of my absolute favourites. I’m still pleasantly surprised to see it’s still there, whenever I pass by’
Furthermore, I want to see what is behind the doors…
Who lived in a house like this? I’m always peeking through letterboxes or broken windows (one of these days, someone will look right back at me, from the shadows of the interior of some decrepit building, and scare the hell out of me! Shades of all the horror movies I grew up watching!). Regretfully, since beginning this unintentional photo series, many of the doors that I have photographed – and the houses that surround them – have already disappeared, and their history with it. In many cases, to be replaced by yet another characterless, generic concrete structure – for rental purposes – clearly made with very little love. Either that or the doors are chained or boarded shut, locked up with ancient rusty padlocks, the keys to which have irrevocably long been lost.
an unintentional photo series
The quest continues…
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