“I am Amigoe Dieudonné – Artist Painter” West Africa

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VIMEO: Filmed & produced by Jason Florio & Helen Jones-Florio ©Jason Florio/Florio Studio. Click here to view

 

 

The above short video portrait of Amigoe was shot in The Gambia. He has travelled for over fifteen years around West Africa in his wheelchair, which is by no means an easy feat – as Florio and I witnessed for ourselves, whilst following him around, filming, in Gambia – especially when he only has the use of one arm, having been paralyzed in his legs and left arm since he was a young boy. Amigoe’s determined travels saw him stopping along the way to create extensive bodies of work (he told us that in one place he lived outside, in a park for months on end, painting beneath the shade of a big tree) which he exhibits and sells wherever possible to be able to continue his odyssey.

We first met Amigoe at the opening night of our Photos Tell Stories – ‘The Gambia by Gambians‘ – photography exhibition, at the Alliance Française in Banjul. He asked us if we would shoot the short bio, to enable him to approach potential clients and galleries for exhibitions.

 

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Amigoe at work in his house in The Gambia, with Jason Florio © Helen Jones-Florio

 

Last year, true to his independent and ever-inquisitive nature of the past fifteen years, Amigoe decided to make the arduous overland journey to Bamako, Mali, to see if he could expand his artistic career. He is now back in his homeland of Togo, where he returned to for the first time in many, many years to apply for a new passport – ever hopeful to fulfill his dream of being invited to Europe or the US to exhibit his work.

 

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Amigoe working on a new painting for an exhibition in The Gambia  ©Helen Jones-Florio
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Florio, Amigoe, and fellow artists, at his former home in Cape Point, The Gambia © Helen Jones-Florio
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Amigoe surrounded by his paintings, preparing for a forthcoming exhibition at the Alliance Francaise, in Banjul, The Gambia ©Jason Florio

 

As always, we wish Amigoe – the artist painter – all success in his continuing odyssey.

HJF

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Florio and Helen – a salon print sale, at home in NYC © Stefan Falke

Sea splash – dawn and reflection, Mediterranean Sea, Malta

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Dawn over Sliema and the Mediterranean Sea © Helen Jones-Florio

 

One of my favourite spots on this tiny island, a place of contemplation and reflection.

HJF

On-line hangout – ‘The Great Exodus: A Look at How the Migrant Crisis is Being Pictured in the Media’

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The first rescues by the MOAS search and rescue team in the Mediterranean Sea – image © Jason Florio/MOAS.eu, 2015

 

The Reading The Pictures Salon is an on-line, real-time discussion between photojournalists, visual academics and other visual or subject experts… .’ Read more, and register for the hangout (Sunday 10th January 2015 – 11am-1pm EST/4pm-6pm GMT), on the RTP’s salon website.

The panel:
MichelleBogre‬ The New School Parsons; ‪‎AnneDemo‬ Penn State University; AlixandraFazzina‬Photographer, NOOR; Jason Florio Freelance Photographer; ShaniOrgad‬ London School of Economics and Political Science; GlennRuga‬ Social Documentary Network; MichaelShaw‬Reading the Pictures; MODERATOR: CaraFinnegan‬

Florio will be joining in the discussion, from the Aegean Sea, where he is currently on another photo assignment, this time with MOAS’s new rescue boat, the Topaz Responder

Wednesday Photo: Bangladeshi and Pakistani migrants in the lower decks of an overcrowded people-smuggling fishing boat

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©Jason Florio/MOAS.eu 2015. All rights reserved – in the cramped hull of a people-smuggling boat, in the Mediterranean Sea, post-rescue

 

‘In the fetid bowels the last of an estimated 200 people that were below deck on a fishing boat carrying 416, wait for the rescue team to evacuate them. Many of them were Bangladeshis, who had lived in Libya as skilled guest workers until the security situation made it untenable to remain, forcing them to take the only route possible where already over 1800 had died in the past 6 months in hopes of getting to safety.’  JASON FLORIO

 

Recently published, along with exclusive black and white portraits of rescued migrants and refugees, a 35-page feature, in VQR – Virginia Quarterly Review – Winter 2016 edition. See more of Florio’s images and read the full feature here.

 

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VQR cover shot © Jason Florio/MOAS.eu, 2015