Oumie Jagne was shot twice in the arm by former Gambian President Yahya Jammeh’s security forces after she was caught up in student protests in April 10/11 2000. She was at her small shop when the shooting of unarmed students began and attempted to help a young girl who had been shot in the foot. While pulling the girl to safety, Oumie was fired upon and suffered life-changing injuries, almost severing her left arm. She is one of hundreds of victims registered at the Gambia Centre for Victims of Human Rights Violations.
With Jammeh’s 2016 election defeat, he went into exile after a standoff with regional forces, and the victims of his regime started to come forward.
So far, almost 1000 victims and their families have registered with the Gambia Centre for Victims of Human Rights Violations to share their stories and help build international support to bring Jammeh to justice
For three days I did not know who I was…where I was. My clothes, they looked like, you know, like a butchers… (covered in blood) Kafo Bayo
Ya Mammie Ceesay, mother of disappeared Gambian-American businessman Alhaji Mamut Ceesay. Alhaji returned to the Gambia in 2013 with his friend Ebou Jobe to set up a business, but they were allegedly robbed of their money by National Intelligence Agency heads, who later told President Jammeh the businessmen were in the Gambia to overthrow his regime. The two were then allegedly murdered on Jammeh’s command.
They say a picture is worth a thousand words – compelling images & personal accounts at the Gambia Centre for Victims of Human Rights Violations – “Portraits to Remember” exhibition. Sharon Wardle, British High Commissioner to The Gambia
Jason Florio’s work is towards under-reported stories about people living on the margins of society and human rights. His work has been recognised with a number of awards, including The Magnum Photography Award 2017 for his work on migration. He was the first recipient of the Aperture Foundation grant to produce Aperture’s first ever assigned story, ‘This is Libya’. His work is held in a number of public and private collections and has been presented in solo and joint exhibitions in USA, Europe, Asia, and Africa.
Available for assignments & for image licensing – Contact here
Although the Gambia is a predominantly Muslim country, the animist-fuelled masquerade ceremonies pre-date the arrival of Islam and are still tolerated and practiced around the country. Animism is an intriguing subject – the belief that animals and inanimate objects, such as trees, possess a soul, or a spiritual essence.
Also, the juxtaposition between the urban environment and these ancient traditions is fascinating – just like ‘The Hunting’, pictured, in the concrete and corrugated iron enclave of a compound in the capital city of Banjul.
Whether it be a circumcision ceremony, celebrating a successful harvest, chasing away evil spirits, enforcing village rules, or simply for entertainment, each particular masquerade plays a central and significant role in many parts of West African society.
Most of the masquerades we’ve seen so far are based on animals. However, the traditions are being hauled into the 21st century, modernised by the use of synthetic fabrics and ornaments, such as Christmas tree baubles, adorning ‘new-style’ masquerades. However, more on those particular masquerades as we move on with the long-term project (sneak preview, below).