Aside from the more serious element to our work – particularly, what we are working on at the moment, ‘Gambia – Victims and Resisters of a Regime‘ #Portraits4PositiveChange – we have also been working on another long-term series of the traditional masquerades of The Gambia.
Although the Gambia is a predominantly Muslim country, the animist-fuelled masquerade ceremonies pre-date the arrival of Islam and are still tolerated and practiced around the country. Animism is an intriguing subject – the belief that animals and inanimate objects, such as trees, possess a soul, or a spiritual essence.
Also, the juxtaposition between the urban environment and these ancient traditions is fascinating – just like ‘The Hunting’, pictured, in the concrete and corrugated iron enclave of a compound in the capital city of Banjul.
Whether it be a circumcision ceremony, celebrating a successful harvest, chasing away evil spirits, enforcing village rules, or simply for entertainment, each particular masquerade plays a central and significant role in many parts of West African society.
Most of the masquerades we’ve seen so far are based on animals. However, the traditions are being hauled into the 21st century, modernised by the use of synthetic fabrics and ornaments, such as Christmas tree baubles, adorning ‘new-style’ masquerades. However, more on those particular masquerades as we move on with the long-term project (sneak preview, below).
– we happened upon this scene, whilst visiting old friends in Kembujeh, on our way back from Kanilai. We’ve been photographing these traditional masquerades for a number of years now, so it’s always great to happen across another version of the Kankurang; in the creative way that the boys use different kinds of materials to make the outfits. See more of our work on masquerades here
