In doing so, with more than 100 subjects, Florio has created a humanizing counterpoint to the images that have dominated the narrative of the migration crisis so far. “I know it sounds cliché, but I felt these portraits were an effective way to find the individual in the whole mess. All the images of migrants we’ve seen are of chaotic hordes. I thought it was important to give them a space to represent themselves.”. Read the whole feature at VQR on-line