Interviewing sole survivor of a massacre, Ghanaian, Martin Kyere ©Jason Florio

Interviewing sole survivor of a massacre, Ghanaian, Martin Kyere. Martin was one of a group of over 50 West African migrants, who were endeavouring to reach Europe when the boat they boarded in Senegal veered off course and landed in The Gambia. #Portraits4PositiveChange According to recent witness testimonies by members of President Yahya Jammeh’s hit squad, ‘the Junglers’, at the Truth Reconciliation andContinue reading “Interviewing sole survivor of a massacre, Ghanaian, Martin Kyere ©Jason Florio”

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The Gambia – Portraits of Victims and the TRRC update, July 2019

The Gambia – Portraits of Victims and the TRRC update, July 2019. Images ©Jason Florio / Text by Helen Jones-Florio. Shocking and distressing revelations coming out of the Truth Reconciliation and Reparations Commission in The Gambia over the past couple of days…particularly pertinent to those who have shared their stories with us for our on-going series, ‘Gambia-victims and resisters’ #Portraits4PositiveChange

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Spotlight on ‘The Gambia -Victims and Resisters’ Social Documentary Network

ZEKE The Magazine of Global Documentary ZEKE Awards -To view Jason Florio’s entry: The Gambia – victims, and resisters‘ click here The jurors are now reviewing the entries and they will announce the winners by July 1, 2019. Wishing everyone who has entered the competition, the very best of luck. To view all the entries, click here Social DocumentaryContinue reading “Spotlight on ‘The Gambia -Victims and Resisters’ Social Documentary Network”

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‘Portraits for Positive Change’ the Gambia. The story so far…

It’s been an incredibly momentous, emotional – and active! – few months for us both, here in the Gambia. Since we arrived back on the West African coast in February we’ve held two photographic exhibitions of the portraits from our on-going body of work, ‘Gambia – victims, and resisters of a regime‘ For three days,Continue reading “‘Portraits for Positive Change’ the Gambia. The story so far…”

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