“I do not care what you do with my photo or my testimony,” concluded Alagie Sonko after the meeting. It is the fact that you came to listen to me that did me the greatest good” Alagie Sonko, the Gambia – Le Monde Afrique / Romain Chanson
“What I learnt from the interviews with victims is the range of abuses and atrocities that happened here during the 22 years of Jammeh. I have been coming to The Gambia for 20 years and I heard about things happening in the past but I had no idea about the range of abuses, including the use of forced medication, people forced to take HIV treatments. The tourists that came here had no idea about what was going on. Even I as a journalist who been here many times had no idea about what was really going on The Gambia,” Jason told The Chronicle.
‘Portraits for Positive Change’ British High Commissioners Residence, Banjul – May 21st, 2019 With the kind support of the British High Commission
Today, 23rd May 2019, the ‘Portraits for Positive Change’ exhibition was donated, by the British High Commission, to the Truth Reconciliation and Reparations Commission (TRRC), to be used as a tool for advocacy and awareness during their outreach programs around The Gambia. The aim of which is to create a dialogue within communities, to help sensitise people on the plight of the victims – emphasising the importance of victims to come forward and engage in the TRRC process.
“Coming to terms with the legacy of the recent past provides the Gambian people an opportunity to reconcile and regain the hope and optimism for the future they so deserve” Sharon Wardle – British High Commissioner to The Gambia
The truth shall set you free…
The next step… which the portraits have already embarked on, is to take the exhibition further, into the international arena. First stop: the portraits were chosen by LensCulture Portrait Awards, in April.
And, on May 27th-29th they will be digitally exhibited – on 10ftx10ft screens – at the Oslo Freedom Forum festival.
The Oslo Freedom Forum is a transformative annual conference where the world’s most engaging human rights advocates, artists, tech entrepreneurs, and world leaders meet to share their stories and brainstorm ways to expand freedom and unleash human potential across the globe.
Oumie Jagne was shot twice in the arm by former Gambian President Yahya Jammeh’s security forces after she was caught up in student protests in April 10/11 2000. She was at her small shop when the shooting of unarmed students began and attempted to help a young girl who had been shot in the foot. While pulling the girl to safety, Oumie was fired upon and suffered life-changing injuries, almost severing her left arm. She is one of hundreds of victims registered at the Gambia Centre for Victims of Human Rights Violations.
With Jammeh’s 2016 election defeat, he went into exile after a standoff with regional forces, and the victims of his regime started to come forward.
So far, almost 1000 victims and their families have registered with the Gambia Centre for Victims of Human Rights Violations to share their stories and help build international support to bring Jammeh to justice
For three days I did not know who I was…where I was. My clothes, they looked like, you know, like a butchers… (covered in blood) Kafo Bayo
Ya Mammie Ceesay, mother of disappeared Gambian-American businessman Alhaji Mamut Ceesay. Alhaji returned to the Gambia in 2013 with his friend Ebou Jobe to set up a business, but they were allegedly robbed of their money by National Intelligence Agency heads, who later told President Jammeh the businessmen were in the Gambia to overthrow his regime. The two were then allegedly murdered on Jammeh’s command.
They say a picture is worth a thousand words – compelling images & personal accounts at the Gambia Centre for Victims of Human Rights Violations – “Portraits to Remember” exhibition. Sharon Wardle, British High Commissioner to The Gambia
Jason Florio’s work is towards under-reported stories about people living on the margins of society and human rights. His work has been recognised with a number of awards, including The Magnum Photography Award 2017 for his work on migration. He was the first recipient of the Aperture Foundation grant to produce Aperture’s first ever assigned story, ‘This is Libya’. His work is held in a number of public and private collections and has been presented in solo and joint exhibitions in USA, Europe, Asia, and Africa.
Available for assignments & for image licensing – Contact here